I will give you an idea of what lies within these pages: Future terrible novels will be rated thus : this novel scores 5.4 on the MMMD scale. Anyway, for now Miss Macintosh, My Darling is the GOLD STANDARD of total crapness. My brain hurts, my brain hurts - hold the front page, my fellow scrabblers at the coalface of literature, I think I may have found the worst book in the world. Marguerite Young's epic novel, Miss MacIntosh, My Darling, was informed by her concept of history and pluralistic psychology, as well as her poetic prose style with its many layers of images and languages. She was also renowned as a teacher of writing at a number of venues, including the New School for Social Research and Fordham University. Over the next fifty years, while maintaining an address in New York's Greenwich Village, she traveled extensively and wrote articles, poetry, and book reviews for numerous magazines and newspapers. She relocated to New Harmony and spent seven years there, beginning work on Angel in the Forest, a study of utopian concepts and communities.Īngel in the Forest was published in 1945 to universal acclaim, winning the Guggenheim and Newberry Library awards. In that same year, she visited New Harmony, Indiana, the site of two former utopian communities, where her mother and stepfather resided. Her first book of poetry was published in 1937, while she was teaching high-school English in Indianapolis. Her work evinced an interest in the American identity, social issues, and environmentalism. Marguerite Vivian Young was an American author of poetry, fiction, non-fiction, and criticism. The novel touches on many aspects of life-drug addiction, woman's suffrage, murder, suicide, pregnancy both real and imaginary, schizophrenia, many strange loves, the psychology of gambling, perfectionism but the profusion of this huge book serves always to intensify the force of the central question: "What shall we do when, fleeing from illusion, we are confronted by illusion?" What is real, what is dream? Is the calendar of the human heart the same as that kept by the earth? Is it possible that one may live a secondary life of which one does not know? In every aspect, Miss MacIntosh, My Darling stands by itself-in the lyric beauty of its prose, its imaginative vitality and cumulative emotional power. Weed of the Wabash River Valley a featherweight champion who meets his equal in a graveyard-these are a few who live with phantasmagorical vividness in the pages of Miss MacIntosh, My Darling. Spitzer, the lawyer, musical composer and mystical space traveler, a gentle man, wholly unsure of himself and of reality his twin brother Peron, the gay and raffish gambler and virtuoso in the world of sports Cousin Hannah, the horsewoman, balloonist, mountain-climber and militant Boston feminist, known as Al Hamad through all the seraglios of the East Titus Bonebreaker of Chicago, wild man of God dreaming of a heavenly crown the very efficient Christian hangman, Mr. Miss MacIntosh herself, who hails from What Cheer, Iowa, and seems downright and normal, with an incorruptible sense of humor and the desire to put an end to phantoms Catherine Cartwheel, the opium lady, a recluse who is shut away in a great New England seaside house and entertains imaginary guests Mr. Miss MacIntosh, My Darling is written with oceanic music moving at many levels of consciousness and perception but the toughly fibred realistic fabric is always there, in the happenings of the narrative, the humor, the precise details, the definitions of the characters. Marguerite Young's method is poetic, imagistic, incantatory in prose of extraordinary richness she tests the nature of her characters-and the nature of reality. It is an epic of what might be called the Arabian Nights of American life. It is a picaresque, psychological novel-a novel of the road, a journey or voyage of the human spirit in its search for reality in a world of illusion and nightmare. This novel is one of the most ambitious and remarkable literary achievements of our time.
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